PARK
palimpsest
RAIN
can it, can it not?
SUN
of the fields,
general
of the woods,
specific
GRASSES
whispers
ROOTS
grow in decay
POPPY
red top
TEAM
two-steppers
ALIEN
ruth
WHEAT
what has ears, roots
& shoots?
BREAD
baked meal
two fields of wheat seeded with a poppy poem
commissioned by Milton Keynes Gallery offsite in 2005
with thanks to the late Michael Stanley, Emma Dean, David Easton,
Lyndall Phelps, John Letts, Alex Hodby, and Caitlin DeSilvey
an account of the project was published as a collaborative poem-narrative,
of which this is an extract
one begins with the image
poppy-red
against
Breughel-yellow corn
a microtonal sculpture
one hundred thousand
pixels
a
poem grown acre
an
abundance of care
this field could be
anywhere
but then there comes a
place
which
was your sending me the photograph
of Campbell Park.
(Alec Finlay)
the place, yes
back
end of Milton Keynes,
just past the John Lewis
car park,
under
Marlborough Street and around the fountain
(seldom spurting)
tumbling
hill, green swale
stray sheep
canal
glint under more sky
(Caitlin DeSilvey)
the idea does the
inviting
and then the idea becomes
not an object but a
process,
handfuls of seed
scattered
a sign on each gate
growing time sets before
us
a series of episodes
of days, seasons,
of sun and light and rain
of the growth that comes
from these
the way the year is dark
and then light,
how the plants take that
energy in
how the crop becomes
each part of that process
is it's own episode;
a chain of festival days –
fencing the enclosure,
the ploughing, sowing the
seed,
harvest, milling, baking
bread
(AF)
but first, two fields,
one slung at the base of
the beacon hill
knowing
the easterly oaks,
the way of spring seep
and low winter light,
seasons
of fallow and fullness
the other hung on a
scrabbled slope,
soil
a scrim of bricks and clay,
hard leavings of the
city's making
assembled into a field-like shape
(CD)
and then the seed
cast for cast
APRIL BEARDED
Triticum aestivum
PARAGON
Triticum aestivum
two fields of wheat
morning star/Milton Keynes Gallery £4
photograph: David Easton, Emma Dean
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